Another trek due north. And the same impossible thing happens as yesterday. I end up BACK at MY igloo - The Igloo of the Uncanny (in case you haven’t been paying attention).
The mystery deepens when I discover someone has paid a visit! Written on a fresh page of my notebook is an unintelligible phrase, “KOM DERE VEKK IDIOTER!!!”.
What can it mean???
Today's movie appears to be the first one from the 90's... surely another clue...
FROM DUSK TILL DAWN (1996)
Has it really been 12 years? I remember watching this and loving it way back when it first came out – as I'm sure you did – but for some shameful reason I haven’t watched it from start to finish since. I’m delighted I have now though, because I’ve fallen in love with it all over again. Which reminds me of how I met my ex-fiancee again after a long absence. My ex-fiancee who I ended up killing. But that’s another story.
There are so many wonderful moments in From Dusk Till Dawn. Only an idiot would attempt to whittle them down into one of those dumb, lazy ‘Top 5 moments’ lists. Anyway, here are my top 5 moments from From Dusk Till Dawn:
1. The start. The hold-up in the convenience store.
Wonderful Tarantino dialogue which George Clooney is absolutely made for. The scene ends with Clooney and Tarantino walking away from the building as it explodes. I’m a sucker for any scene where someone walks away from an exploding building without flinching.
2. The many faces of Cheech Marin. He’s the border guard. Then he’s the fabulously monickered Chet Pussy.
And Carlos at the end. I fucking love the guy.
3. Vampire Quentin. Wonderful make-up. Loved the large forehead. Vamp Harvey Kietel wasn’t too shabby either.
4. Salma Hayek.
No explanation required.
5. The ending. The farewell between Cloonie and Juliette Lewis is kind of touching. And so he goes of to El Rey. Which is a place name from The Getaway , obviously, but I remember reading somewhere else that it’s supposed to be Hell. THE Hell. With a capital ‘H’. Which explains Clooney’s reluctance to allow Juliette to tag along. As he says, he "may be a bastard, but not a fucking bastard." Which is more or less what Bogart said to Bergmann at the end of Casablanca.
VERY Visible Cameraman in "Bad Boys" (Sean Penn, 1983) (video) - *I watched "Bad Boys" a bunch of times on cable in the 80s. * But I never noticed this until it was pointed out to me. It's during the big fight betwee...
1 hour ago